{"id":51,"date":"2006-12-31T13:17:00","date_gmt":"2006-12-31T20:17:00","guid":{"rendered":"http:\/\/gravity7.com\/blog\/film\/2006\/12\/l-i-e-down.html"},"modified":"2006-12-31T13:17:00","modified_gmt":"2006-12-31T20:17:00","slug":"lie-down","status":"publish","type":"post","link":"http:\/\/gravity7.com\/blog\/film\/2006\/12\/lie-down.html","title":{"rendered":"L.I.E. down"},"content":{"rendered":"<p><a href=\"http:\/\/www.gravity7.com\/blog\/film\/uploaded_images\/poster_under_licence-737099.gif\"><img decoding=\"async\" style=\"float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;\" src=\"http:\/\/www.gravity7.com\/blog\/film\/uploaded_images\/poster_under_licence-734971.gif\" border=\"0\" alt=\"\" \/><\/a><br \/>This is one of those films that must be hard to fund &#8212; films like the<br \/>Woodsman, The Magdalene Sisters, War Zone (by Tim Roth) or Monster &#8212;<br \/>but which, when made, distributed, and seen, recoups any expense and<br \/>undresses any doubt. The problem with films like this is that they<br \/>involve inappropriate undressing, be it by pedophiles, insitutions,<br \/>families, or serial killers. The appeal of the genre is in some ways<br \/>the unthinkable, unacceptable, the distasteful and the unwatchable.<br \/>It&#8217;s that last part, the unwatchable, that creates tension, serving as<br \/>a kind of offscreen reference that anchors the film&#8217;s story and becomes<br \/>its power for not being seen. <\/p>\n<p>(Herzog&#8217;s Grizzly Man reveled in this, for it was a film about a guy<br \/>who was eaten, along with his girlfriend, by the very Grizzlies he<br \/>believed himself to be protecting, and everybody knew it. That was the<br \/>whole catch: to know something that is not going to be shown, to be<br \/>compelled by it, and to rent and watch this film knowing that it&#8217;s a<br \/>long set up to a final act we will not be allowed to see. Can it be<br \/>that a film such as that prepares us for something horrible? Do we<br \/>become complicit with it then, as consumers of that preparation?)<\/p>\n<p>Complicitness. This film shows us what happens. It is simple in its<br \/>presentation, and for that complicates its subject matter. Because it<br \/>does not plant a stake in the ground and draw clear, distinct and<br \/>straightforward lines between right and wrong. Those are the films that<br \/>are hard to fund. But better to watch. For they complicate their<br \/>concepts, distribute perspectives and motivations, and sometimes even<br \/>put the viewer harm&#8217;s way.<\/p>\n<p>Technorati tags: <a href=\"http:\/\/technorati.com\/tag\/dvd\" rel=\"tag\">dvd<\/a>, <a href=\"http:\/\/technorati.com\/tag\/films\" rel=\"tag\">films<\/a>, <a href=\"http:\/\/technorati.com\/tag\/indy+film\" rel=\"tag\">indie<\/a>,<a href=\"http:\/\/technorati.com\/tag\/movies\" rel=\"tag\">movies<\/a>, <a href=\"http:\/\/technorati.com\/tag\/movie-reviews\" rel=\"tag\">movie-reviews<\/a>, <a href=\"http:\/\/technorati.com\/tag\/movie_reviews\" rel=\"tag\">movie reviews<\/a>, <a href=\"http:\/\/technorati.com\/tag\/reviews\" rel=\"tag\">reviews<\/a>, <a href=\"http:\/\/technorati.com\/tag\/indy+film\" rel=\"tag\">video<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This is one of those films that must be hard to fund &#8212; films like&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,4,3],"tags":[],"class_list":["post-51","post","type-post","status-publish","format-standard","hentry","category-dvd","category-movies","category-reviews"],"_links":{"self":[{"href":"http:\/\/gravity7.com\/blog\/film\/wp-json\/wp\/v2\/posts\/51","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/gravity7.com\/blog\/film\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/gravity7.com\/blog\/film\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/gravity7.com\/blog\/film\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/gravity7.com\/blog\/film\/wp-json\/wp\/v2\/comments?post=51"}],"version-history":[{"count":0,"href":"http:\/\/gravity7.com\/blog\/film\/wp-json\/wp\/v2\/posts\/51\/revisions"}],"wp:attachment":[{"href":"http:\/\/gravity7.com\/blog\/film\/wp-json\/wp\/v2\/media?parent=51"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/gravity7.com\/blog\/film\/wp-json\/wp\/v2\/categories?post=51"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/gravity7.com\/blog\/film\/wp-json\/wp\/v2\/tags?post=51"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}