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Reviews and analysis of significant films

Ruminations on film from a part-time cinephile

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Wong Kar Wai in 2046, or is it 1966?

Posted on January 3, 2006 by Adrian Chan

I tried to but could not tell which scenes were filmed by the cinemato- graphers…

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Paul Thomas Anderson, artist of the visual tone metaphor

Posted on December 20, 2005 by Adrian Chan

Paul Thomas Anderson’s Punch Drunk Love opens with his signature move: juxtaposition. Adam Sandler, handling…

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Capote, an analysis I’d like to write when I find time

Posted on December 7, 2005 by Adrian Chan

warning: contains spoilers What a splendid film. This film is perfectly structured as a story…

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Today is the Day After Tomorrow

Posted on December 5, 2005 by Adrian Chan

Does art follow life, or life follow art? And what does the weather have anything…

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Merchant of Venice — of chains and triangles

Posted on October 5, 2005 by Adrian Chan

This flm , or rather, this play, continues to reveal its structures…. This time around…

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